512 Sound is a brand-new brand however launches with a pedigree, established by a few of the team behind Warm Audio which has actually been making acclaimed products because 2011. The team is out to make a splash with its very first two launches, a pair of microphones intended directly at material makers as well as home recording specialists. Today, we re looking at the Limelight and Skylight, in addition to the new boom arm and pop filter devices. At $199 for each mic, are they an upgrade over the USB mic most COMPUTER users select? Let s learn.
Seeking the second part of this evaluation where we consider the Skylight Studio Condenser Microphone? Visit this site to go there now!
Specifications .
Current Cost:. Limelight: $199 (Amazon.com). Skylight: $199 (Amazon.com). 512 Boom Arm: $79 (Amazon.com). 512 Pop Filter: $39 (Amazon).
Limelight .
Capsule Kind: Dynamic. Capsule Size: 28mm. Polar Pattern: Hypercardioid. Frequency Range: 50Hz - 15Hz. High Pass Filter: 100Hz (12dB per octave). Sensitivity: -54 dB 13dB (0dB =1V/Pa at 1kHz). Impedance: 600 ohm. Max SPL: 138dB. Weight: 0.84 pounds (379g). Capacities: 6.59 in x 2.39 in (167.5 mm x 60.8 mm). Included Accessories:. Flexible Swivel Mount & Protective Carry Bag.
Video Evaluation .
See and also listen to these microphones on your own in the video clip above! .
Limelight Dynamic Broadcast Microphone .
Beginning with the Limelight, this is a dynamic microphone in the same vein as the ElectroVoice RE20 or Shure SM7B however far more affordably priced. Visually, the microphone clearly takes inspiration from the RE20, as well as I think about that a positive. It s an amazing ambiance that looks good on video camera and promptly brings to mind radio broadcast workshops.
At the very same time, the Limelight betrays its more affordable prices in its building and construction. Contrasted to the RE20, SM7b, or perhaps the Rode Procaster which is just $30 even more on Amazon.com, the Limelight only considers fifty percent as a lot, which is right away noticeable, despite the fact that it s made entirely of steel. This doesn t necessarily speak ill of the microphone itself (the capsule and electronics are lightweight in all of these mics), but it s something I noticed right now.
The Limelight is a dynamic microphone with a hypercardioid pick-up pattern. It s less sensitive than a condenser microphone like heaven Yeti or Audio-Technica AT2020, which means it won t choose up nearly as much bordering noise from your COMPUTER, clacky mechanical keyboard, or perhaps housemates in the other space. If you re streaming in a neglected area, and also specifically so with hardwood floorings, you need a dynamic microphone to maintain those mirrors from making their means in. The Limelight works remarkably well at obstructing external sound.
512 Audio has tuned the Limelight particularly for singing capture. It draws out the warmer tones in your voice without seeming incredibly boomy many thanks to its built-in high-pass filter (extremely low end grumble get attenuated prior to developing roar). It additionally includes an integrated pop-filter to assist obstruct those plosives.
I appreciated the audio of the Limelight. Compared to my Rode Procaster, it seemed even more natural to my ear. It lacked the dynamic crisis and compression that s typical to transmit mics. I liked the smoother tone it provided because of this. The microphone likewise wasn t that hard to drive. I provided it with 60dB of gain from my GoXLR so I can have some headroom and press it even more back from my mouth. If you do not mind closeness effect, you can escape 54dB rather conveniently, so no demand for a Cloudlifter below.
It s not all high-points, though. The microphone is delicate to plosives when utilized near to the mouth. This is to be anticipated when you re generating proximity result, yet will require a different pop filter if you like to solve on the microphone. The mic was additionally very delicate to any type of outside noise, like moving the boom arm or any taps made to the desk. Capsule seclusion can be boosted in the following round, yet if you buy in now, feel in one s bones it s finest to position the mic and afterwards let it be.
The product described in this review was given by the supplier for examination objectives. .
This post is Component 1 to our closer check out 512 Sound s first access right into the microphone market.Click below to review Component 2 where we discover the Skylight, 512 s studio condenser microphone. .
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